#idea pile

[asterclaw]

the strongest urge to write about Ink and Error being stuck in an elevator. But not as a ship. I want to write abt them 'cause Ink, Error, and Dream are prolly the ones, who have the strongest claustrophobia out of the whole utmv cast. Being stuck in an elevator, with someone who hates you is already a nightmare by itself but imagine you and them both having the strongest claustrophobia e v e r. It is so much worse :)

[plainclothesdisaster]

Danny’s on the Suicide Squad. He’s the defacto team moral compass and ray of sunshine. He plays the role of the camp counselor that keeps everyone in line. He’s not afraid of working with even the gnarliest of baddies.

Everybody on the team wonders how he ended up locked up with the villains- he never talks about what he did to end up behind bars no matter how much they pester him. Then one day they’re out on a mission and Harley or somebody is caught and tortured. Danny snaps. It’s the opposite of brutal- he takes down everyone in the room with clinical, dispassionate efficiency.

After it’s over and the team is safe he comes back to himself and is almost sheepish. He radios Belle Reve.

“Whoops. Add another couple notches on my power dampener collar, would you Waller?”

“Can’t, it’s already at max.”

“Ah. Well. I’ll have a look at strengthening it when we’re back then.”

The team just stared at him slack jawed. Good thing he’s on their side.

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[umblrspectrum]

i got lazy in the second panel

[proxythe]

aki cussing ppl out over the phone is like a sweet sweet lullaby <3

[sleepytroll]

[theoldkyokodied]

posting all my genderbent sunny (mostly toxic yuri macden) art at once like i'm known to do tehee :) ft Charlie in a little mini comic where mac and den try to give her a make-over for a scheme, based on a conversation i had with my friend kath, who is THE person i'd trust most with writing an actual iasip episode btw.

[wishfulsketching]

Mind yo own business, Harvey!

(are those open-plan cells really the best idea?)

[a-dauntless-daffodil]

pre angelic revelation, the hotel crew goes looking for Vaggie about some managerial thing and regularly finds her kickboxing in a spare room, beating the crap out of a dummy dressed up in an exorcist's gear and mask

a totally normal way to blow off steam, and one that they sometimes also find Charlie spectating at-

("Aren't you supposed to be against all this violence and shit?" - "Yes! But no actual exorcists are being hurt during this stress relief slash training session! So it's OK!" - "Yeah right. And you think your girlfriend looks hot punching stuff huh." - "Hm? Sorry Husk, I wasn't listening- what did you say?" - "......")

which all well and good!

until AFTER the angelic revelation.....

Charlie: "Vaggie. Please don't tell me that's actually YOUR exorcist armor."

Vaggie: "...."

Charlie: "Don't say you've been punching your old exorcist mask, imagining your own face under it."

Vaggie: "......"

Charlie: "I do NOT want to hear that you've been beating up on your past self this entire time- while I was watching! -and using punishing yourself by proxy as a way to cope when you're stressing over feeling like you're not doing enough here and now."

Vaggie: "........."

Charlie: "Vaggie why aren't you SAYING anything!?"

Vaggie: "You told me not to!"

Charlie: "ARGH!!!!"

post revelation, Husk goes looking for Vaggie in the training room like usual, and finds her standing helplessly in front of the exorcist training dummy as a tearful Charlie clings protectively to it with a full body hug

husk decides restocking the bar can wait. he's not getting paid enough to deal with This

[asterclaw]

Platonic errink to Lemon Boy by Cavetown, guys Platonic errink to Lemon Boy, guys... to the idea pile

[zephyrchama]

I wrote something about this years ago in a random Discord server and can't find it, but the :D JOBS app on the D.D.D. is so funny.

You're this human. Living with the Seven Rulers of Hell. You're on incredibly personal terms with the crown prince. And you need some money.

You coerce Mammon and Diavolo himself to go work two hours at a clothing shop. Forget whatever plans they had. They work for you now.

Meanwhile, Lucifer is coming back from the 8 hour shift you made him do at some fancy restaurant. You greet him at the front door. He's tired and he smells like hell oyster sauce. He hands you 10,000 grimm and you give him a little head pat for his efforts, causing his affection to go up.

"Again."

"What?"

"Go back to work. Again."

"Yes, dear."

He trudges back to the restaurant. Today you've planned back-to-back shifts for everyone again.

[fortheloveofexy]

AU where Andrew is trying to work through his touch aversion, so Bee suggests he tries exposure therapy with somebody he trusts.

Cue Andrew complaining about it with his best friend/roommate Neil, who then offhandedly offers to help. Andrew, in a moment of impulsive stupidity, agrees.

On paper, it's a great idea. Neil is decidedly uninterested in sex and dating, so Andrew can trust he won't get the wrong idea or take advantage. He also knows a lot of Andrew's history already, so it will be a lot less embarrassing if it goes wrong and Andrew freaks out. In theory, it should be the perfect plan. There's just one, teeny tiny little problem.

Andrew is utterly and irrevocably in love with him.

[herbarimoon]

A faint smile

[seliasvault]

Comforting the Lieutenant

Simons been waking up every night. Jolted with a heart rate high enough to give him a heart attack for the past week, and it’s your fault.

Last week, on a high-stakes mission, you’d left cover to hit the enemy. You’d succeeded, of course, putting a bullet through every one of the soldiers in the window, but you’d disobeyed a direct order. If Simon hadn’t been so caught off guard, he would have wrung your neck right after you landed. Did you have a death wish?

Instead, he kept it in, shell-shocked with dreams of cradling your dead body, begging you to hold on. Even after his choppy slumber, there’s no respite, the image of your bloody body, holes through your chest burn his retinas, enough to drive any man insane.

And so he finds himself, after a particularly gruesome nightmare, at your door. It’s barely dawn, but he needs to see your face, feel the blood pumping through your veins. He knocks, loud, loud enough to startle you awake.

Walking to the door, stumbling slightly from sleep, you open it, hands rubbing at your eyes as you try to pry them open. Leaned against the door, to your shock is your Lieutenant.

“Lieutenant? It’s-“ You glance your head to the alarm clock that sits next to your bedside.

“It’s four in the morning,” you whine out, confused. You think he was trying to get you on your feet earlier for training.

While you appreciate every moment spent with him, and practically swoon whenever he’s near you, being woken up had the effect to wipe your silly crush out of the picture.

What your met with however are Simons wide eyes, still waking from his nightmare. His hair is tousled, messy from running his hand through it. Mask missing from his face. And while you’ve seen his face before, you’ve never seen it like this.

There’s something else, though. His chest is heaving and his breath is heavy, labored even.

With no response your sleepy brain takes him in, finally catching up he’s in his own pajamas, with a sleeveless shirt. That part surprises you, you’ve never seen him in anything casual.

“Are you okay?” You lean toward him, brows furrowed almost ready to catch him lest he fall. And he looks like he might.

His chest keeps rising, concern now blossoming within you. You take a full step forward, placing you hand on his chest, his heart rate hammering under your fingers.

“Hey, I-it’s okay-“ You move your other hand to rest on his bare shoulder, you’ve learned contact is the best way to steady someone.

“Lt I’m here with you, it’s alright, can you breathe with me?”

Simon had never been this vulnerable in front of someone, especially you. But you’re alive standing in front of him. He can feel the warmth of your skin seeping into his being. But he can’t help his thinking, the trail leading to everyone he’s lost. Can’t help the way his brain spirals, the way his post-nightmare fatigue has got him in a full blown panic.

Your soft voice pierces through the fog, like a beacon of light. He tries to focus, he tries to pull his head out of the water he's under.

With no other idea's you fall upon your only option.

“Simon.” You say for the first time, applying pressure to the hand on his chest, hoping to ground him.

“Simon, can you hear me?” You’ve never said his name before, only ever Lieutenant, Lt or some other lame nickname you and Soap come up with on the field. So you try it, hoping it doesn’t sound out of place, hoping you’d snap him out of wherever he was in his mind. You were familiar with the feeling.

The sound of his name ringing in his ears caught his attention. You’d never said it before, hell it had been a long time since anyone had. His breathing was starting to level out, the weight of your hand on his chest pulling him back to the ground from the ether.

His hand clasping your wrist, finger finding your pulse. Slowing his heart, now beating in tandem with yours.

You feel it, feel the sway of his chest slow, the thumps of his heart lessen.

You never in a million years imagined being in this position, your stoic shielded Lieutenant. Vulnerable in front of you.

“Are you okay? What happened?” You try after a beat, hoping he’s recovered enough to give you an answer.

His brain sobered, he felt out of place. But he didn’t want to let go of your wrist, he didn’t want your hand to leave his chest.

He didn’t know how to explain it, tell you that the fear of losing you had him so torn, ripped to shreds at every waking moment. It followed him in his slumber. So he went with the simplest answer.

“Nightmare.” He said softly, finally responding.

“You want to talk about it?” It was a far shot, knowing your Lieutenant. But you gave him the option anyway.

He mulled it over, he could tell you, but he felt perfectly content basking in your warmth.

He let out a breath, eyes darting to your lips, the cascading light from the hallway illuminating your face in the dark.

He yearned to pull you close, kiss you until you were engraved in his brain, promised to be alive and safe. He wanted to be selfish.

He wanted so many things but most of all, he wanted you.

And so he gave in, lips crashing into yours. He let himself be selfish, for once. Memorizing every detail, from the way you kissed back to the movements you made.

You felt tangible.

And although you’d never imagined your little crush on the Lieutenant to get you here, it wasn’t unwelcome.

[somegrumpynerd]

A little animation I made of Dream and Nightmare for fun, it's pretty short and simple but not bad for my second go at animation I think ^^

The music is from here, I highly recommend listening to the full thing cause it's so beautiful!

Quick explanation for the song and a gif version under the cut

So when I was first dipping my toes into utmv stuff like a year ago, I made a slideshow for my sister with a bunch of au Sanses, let her guess what kinda vibe she thought they had and then gave her a list of names/ aus to see if she could figure out who was who (she did surprisingly well and I'm proud of her).

Well, when I first showed her pictures of Dream her immediate reaction was "this guy looks like he's from zelda" and it's just always stuck with me. Somewhere along the way I started headcanoning Dream playing some kind of instrument when they were kids and when I heard the pan flute version of zelda's lullaby everything kind of fell into place.

So here they are, having a little moment of peace finally, brothers together again c:

[i-made-a-bg3-blog]

Look, it’s not like Astarion intended on becoming a Harper, it’s just - well, burglary and pickpocketing are a little more difficult when you can’t enter homes without an invitation or go outside during the day, and he’s grown rather accustomed to a certain elevated lifestyle. There are other places he could turn to for money: the city owes him an estate and a title at the bare minimum. But, there’s something to be said for self-sufficiency, and, though he hates to admit it, he wouldn’t make it through three weeks as a noble without being bored out of his mind.

The Harpers need warm bodies (or cold ones, as it were) to rebuild their ranks after Orin’s doppelgangers, and Jaheira’s a savvy old crone who never learned to take no for an answer. She pinpoints Astarion’s two weak spots: a heavy coinpurse and kidnapped children, street kids, the kind no one would miss.

They’re decidedly amateurish criminals, and it doesn’t take him long to track them down and dispatch them, messily and painfully. Four children sit huddled in a cage, and Astarion knows he must look every bit the monster as he picks the lock with hands covered in gore, but they don’t shy away in fear when he opens the door. One of them slips his chubby little hand into Astarion’s and refuses to let go until they reach the safehouse. It’s…odd.

“Good work, Harper,” Jaheira tells him after, and Astarion makes it explicitly clear that he’s simply an independent contractor, an expensive one. 

Jaheira just smirks like the witch she is.

So he contracts. He infiltrates the Guild (and feels insulted when Nine Fingers doesn’t recognize him; he’d like to think he’s rather unforgettable), foils an assassination plot or three, even teams up with Minsc and a turncoat Thayan to stop a gaggle of Red Wizards from doing…whatever it is they do. It’s a good business, he supposes. A hero’s reputation is a small price to pay for a hero’s coffers.

Jaheira’s wise enough to know when to hang up her blades, and it makes her more of an insufferable busybody than ever, which - somehow - becomes Astarion’s problem. First, it’s his own cell, then suddenly he’s the field contact for four others. He’s dragged to the most dreadfully tedious logistical meetings imaginable. The only reason he agrees to any of it is that Jaheira can turn an offhand comment and a raised eyebrow into the kind of challenge that itches beneath Astarion’s skin. It should be all too familiar and just as unwelcome, that burning need to prove himself, but it’s not. It’s different, perhaps, when he isn’t being set up to fail.

Jaheira passes away peacefully in her sleep at the ripe old age of one hundred and ninety-two, and Astarion’s convinced he can hear her grumbling about that all the way from the Fugue Plane. She would have rather gone out fighting, but, privately, Astarion feels like she deserved something gentler than bleeding out on a battlefield. He never did tell her how much he admired her (though he doubts she would have appreciated such open sentiment: ‘I did not realize I looked so terrible that you’ve already started my eulogy.’), but she must have known. He thinks he’s really going to miss her.

Right up until the moment Rion is handing him a pin and leading him to a library full of dossiers and documents. Then, he’s ready to cross the Astral Sea just so that he can bring her back and kill her again. Independent. Contractor. What part of that did she not understand? 

He goes home and locks the door with the full intention of ignoring every Harper that comes knocking. But Harpers are nosy little shits, and after he nearly disembowels one who surprises him by breaking into his house just to tell him the most idiotic plan to dismantle a smuggling ring he’s ever had the misfortune of hearing, he realizes hiding isn’t going to be an option. Besides, Astarion cannot be privy to such levels of incompetence and sit idly by. 

So he helps. Provisionally. Just long enough to find a decent replacement, and then he can wash his hands of the whole thing.

Unfortunately, it’s not as easy a task as he had hoped. Every potential candidate lacks something: consistency, creativity, confidence, the common sense to understand Astarion’s eminently logical filing system. It takes him three decades to accept that not only is he excellent at the job, but that he enjoys it immensely. 

When they make him take a title, he chooses Spymaster. It suits him - dashing, mysterious, questionably moral, because he’s never been a hero, and it would be foolish to pretend that he is.

They all call him High Harper anyways.